Last edited by Tygolar
Thursday, July 16, 2020 | History

8 edition of Directions in Euripidean criticism found in the catalog.

Directions in Euripidean criticism

a collection of essays

  • 235 Want to read
  • 14 Currently reading

Published by Duke University Press in Durham [N.C.] .
Written in English

    Subjects:
  • Euripides -- Criticism and interpretation,
  • Mythology, Greek, in literature,
  • Tragedy

  • Edition Notes

    Statementedited by Peter Burian.
    ContributionsBurian, Peter, 1943-
    Classifications
    LC ClassificationsPA3978 .D59 1985
    The Physical Object
    Paginationviii, 236 p. ;
    Number of Pages236
    ID Numbers
    Open LibraryOL2863052M
    ISBN 100822306107
    LC Control Number84025950

    Search this site: Humanities. Architecture and Environmental Design; Art History. Taken as a whole, the collection offers us a compound Euripides rather than the sense of a single creative presence, but anyone with a special interest in the plays treated here, or in the directions being taken in Euripidean criticism today, will find this volume valuable and : Michael E. Mooney.

    A selection of pre material from across the Duke University Libraries whose focus is the diverse human experiences, communities and cultures. This collection is not limited to a single definition of diversity and inclusion. It embraces the overlooked and underrepresented voices found in print. Burian, P., ed. Directions in Euripidean Criticism () Collard C. Euripides (Greece and Rome Surveys in the Classics n. 14) () Foley, H. Ritual Irony: Poetry and Sacrifice in Euripides () Halleran, M. Stagecraft in Euripides () Michelini, A.N. Euripides and the Tragic Tradition ().

    Comparative Drama is a scholarly journal devoted to studies international in spirit and interdisciplinary in scope. Directions in Euripidean Criticism: A Collection of Essays ed. by Peter Burian contents. Medieval and Renaissance Drama in England: An Annual Gathering of Research, Criticism and Reviews, Vol I. ed. by J. Leeds Barroll III. The Poetics of Eros in Ancient Greece offers the first comprehensive inquiry into the deity of sexual love, a power that permeated daily Greek life. Avoiding Foucault's philosophical paradigm of dominance/submission, Claude Calame uses an anthropological and linguistic approach to re-create indigenous categories of erotic love.


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Directions in Euripidean criticism Download PDF EPUB FB2

Genre/Form: Criticism, interpretation, etc Aufsatzsammlung Kongress: Additional Physical Format: Online version: Directions in Euripidean criticism. Durham [N.C. Directions in Euripidean Criticism: A Collection of Essays Hardcover – May 1, by Peter Burian (Author) See all formats and editions Hide other formats and editions.

Price New from Used from Hardcover "Please retry" Cited by: 7. Is part of Book Title Directions in Euripidean criticism: a collection of essays Author(s) Peter Burian Date Publisher Duke University Press Pub place Durham [N.C.] ISBN This item appears on. List: CLAS The Passions Section: Euripides' Hippolytus and Greek Religion Next.

Principles of Anatomy and Physiology Checkpoint Answers - Prometheus 3 Chapter Summaries - Summary The Leadership Challenge: How to Make Extraordinary Things Happen in Organizations Religion - Summary The Elementary Forms of Religious Life Summary Imagined Communities: Reflections on the Origin and Spread of Nationalism Sample/practice examquestions and.

Logos and Pathos: the Politics of the Suppliant Women. Add to My Bookmarks Export citation. Type Chapter Author(s) P. Burian Page start Page end Is part of Book Title Directions in Euripidean criticism: a collection of essays Author(s) Peter Burian Date Publisher Duke University Press Pub place Durham [N.C.] ISBN Euripides (/ j ʊəˈr ɪ p ɪ d iː z /; Greek: Εὐριπίδης Eurīpídēs, pronounced [ː.pí.dɛːs]; c.

– c. BC) was a tragedian of classical with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom a significant number of plays have ancient scholars attributed 95 plays to him but, according to the Suda, it was Born: c.

BC, Salamis. Directions in Euripidean Criticism: A Collection of Essays, edited with a Selected Bibliography of Euripidean Criticism Durham, NC: Duke University Press, Articles and Chapters “ Athenian Tragedy as Democratic Discourse.” Why Athens: A Reappraisal of Tragic Politics.

Edited by D. Carter. Oxford: Oxford University Press, () Peter H. Burian’s profile, publications, research topics, and co-authors.

VII. General works on Greek tragedy and Euripides. Burian, ed., Directions in Euripidean Criticism (Durham, N.C., ). Burnett, Catastrophe Survived. Literary Criticism in Euripides’ Medea 49 [ 49 ] * This is a revised and slightly simplified version of what I had originally written in Japanese for Pedilavium, No.

27, 1) The English translation is taken from Seven Famous Greek Plays, (Modern Library College Edition), edited, with.

Theatre Society Book Prize, the Criticos Prize, and the Wheatley translations of Greek tragedy and edited Directions in Euripidean Criticism: A Collection of Essays (Durham, Sophocles and the Greek Tragic Tradition Edited by Simon Goldhill and Edith Hall Frontmatter More information.

The Art of Euripides Dramatic Technique and Social Context. Get access. In this book Professor Mastronarde draws on the seventeen surviving tragedies of Euripides, as well as the fragmentary remains of his lost plays, to explore key topics in the interpretation of the plays. Burian, P. (ed.) ( a) Directions in Euripidean Criticism Cited by:   Savas Patsalidis [1] (Un)doing frames: the Bacchic Paradigm.

According to Longman’s Dictionary a frame is “a firm border or case into which something is fitted or set, or which holds something in place; [.] the main supports of which something is built or over and round of which something is stretched.” In theatre, a frame indicates the demarcation line, real or imaginary, between the.

Its doubtful nature, as far as the fusion of tragic and comic elements is concerned (see further Burnett, Directions in Euripidean Criticism: A Collection of Essays, Durham: Duke University Press, pp. 13–51, –88, ), and, most of all, its controversial authorship and date still render it a riddle—even though its non-Euripidean Author: Nikos Manousakis, Efstathios Stamatatos.

REVS: NYRB XXIX,15 Lloyd-Jones | TLS LXXXIII 30 Easterling | G&R XXXI Silk | CO LXII Clay; “Euripides: The Poet as Prophet,” in Directions in Euripidean Criticism. BOOK REVIEWS criticism (as Snell argued in chap. 6 of The Discovery of the Mind).

My point is that, in the absence of a narrative, the alleged foundational role of Frogs cannot even be discussed. Hunter allows that the Frogs may loom as a more central work for us than. Duke University Press is an academic publisher of books and journals across the humanities, social sciences, and more.

Duke University Press has decided to make available via open access a substantial set of its older books that are no longer selling actively.

The DUP collection is. Burian, PH, Directions in Euripidean Criticism: A Collection of Essays Edited with "Selected Bibliography of Euripidean Criticism since World War II" (), Duke University Press Burian, P; Swann, B, The Greek Tragedy in New Translations: (), Oxford University Press: New York.

Claude Calame’s two-volume book on choruses in archaic Greece, especially the first volume In Directions in Euripidean Criticism, ed. Burian. 52– and – Durham, NC. ———. “Playing the Other: Theater, Theatricality, and the Other in. Employing various critical approaches, she investigates the literary tradition and the dynamics of intertextuality, Euripidean dramatic technique, the use of rhetoric, characterisation, gender, the function of the Chorus, aspects of performance and the reception of the play from antiquity to modern times.

Category: Literary Criticism. Oxford Readings in Ancient Literary Criticism by Andrew Laird. This chapter argues that the Soldier novels and The Book of the Long Sun, multi-volume works published subsequent to The Book [email protected] Search form. Search.Its doubtful nature, as far as the fusion of tragic and comic elements is concerned (see further Burnett, Directions in Euripidean Criticism: A Collection of Essays, Durham: Duke University Press.